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But whereas Cameron Crowe’s chronicle of early years tracked a love affair with rock music, Allen’s film gets at something more sentimental.As the final moments of the film would suggest, his real love is for the concept of love. ” and that’s all the necessary proof that the latter is true.There’s a shameless fanfiction pleasure in watching malcontent writer Gil (Owen Wilson) stumble back a century or so to hobnob with Lost Generation icons like Fitzgerald and Hemingway (Tom Hiddleston and Corey Stoll, a fine pair).An for the literary set, the film sends a slavish fan in to mingle with his idols and find that they’re as flawed as anyone else.
Medicine for Melancholy (2008) Two strangers have a one-night stand, reconnect the next day, then spent a few hours walking around San Francisco.
(We’ll update this list as titles are added and removed.) Amélie (2001) Every generation gets the messed-up ideas about love it deserves.
Along with The Royal Tenenbaums and Garden State, Amélie told millennials of a certain taste that falling in love was like finding a magical wonderland where brightly dressed characters stared at each other with deadpan sincerity (ideally in an impeccably composed shot). Watching Amélie now provides a lesson of surprising maturity: You may not love it like it like you did when you were 17, but that’s not the only kind of love.
Olivia Wilde and Jake Johnson star as friends and co-workers who could clearly be something more, except for one problem: They’re both dating somebody else.
When they take a weekend away with their respective partners (Ron Livingstone and Anna Kendrick), each couple ends up on unsettled romantic terrain.